Greetings from Jesusland: Designing Protest in Rural America
Grace Kelley
I'm from a very small town in rural Georgia. When I first moved to New York City, I was unsurprised but annoyed at how condescending New Yorkers can be about Southerners. "You don't have an accent! You sound normal!" (What's "normal?") "What sorority did you rush in college?" ( . . . Hufflepuff?) "Did you ride a horse to school?" (No, but I did drive a manual pickup truck.)

But one thing that annoyed me the most was "Aren't you so glad to be out of the South? It's so racist there!" To paraphrase Malcom X, everything south of Canada is racist. So, what are we going to do about it?
I can and I will
By Greetings from Jesusland: Designing Protest in Rural America
All Yall Postcard
By Greetings from Jesusland: Designing Protest in Rural America
Rural Flag
By Greetings from Jesusland: Designing Protest in Rural America
Websites I've coded using JavaScript for people to interact with
Artist Statement
My thesis deals with unconventional intersections of design and activism. Through cultural probes, I learned that people want to make meaningful change, but they're so afraid of doing or saying the wrong thing that they don't know how to begin.

Using designer Thomas Markussen's six types of protest design, I propose design interventions that illustrate the accessibility of activism. My thesis capstone puts these projects together into a zine, distributed to many activist collectives to engage people in the idea of protest design.
I Can and I Will: A Protest Toolkit