Jackie Slanley
Jackie Slanley is an artist living in Brooklyn NY. The core of her research lies in mythology, untethered by any specific geography or time periods. Working primarily with clay and paper pulp, she makes sculptures and installations that speak to ritual, fetish, and power. She has been an artist in residence at Ox-Bow School of Art and Art Farm. She is a recipient of the Bead Project Fellowship at Urban Glass and the Kossak Painting Grant. Her recent group exhibitions in New York include “Making Ceramics in the Digital Age”, “Claytopia”, and “Assemblage”, an online exhibition with The Olympia Project.
Statues Also Die, 2019
By Jackie Slanley
Statues Also Die, 2019
By Jackie Slanley
To Be Shiny, 2019
By Jackie Slanley
To Be Shiny, 2019
By Jackie Slanley
Double Rose, 2019
By Jackie Slanley
Double Rose, 2019
By Jackie Slanley
Eyeless, 2019
By Jackie Slanley
All Things Wild, 2019
By Jackie Slanley
Tongue on Fire, 2019
By Jackie Slanley
Setting Fire to Fire, 2019
By Jackie Slanley
Setting Fire to Fire, 2019
By Jackie Slanley
From End to End, 2019
By Jackie Slanley
From End to End, 2019
By Jackie Slanley
Rubbing Salt, 2019
By Jackie Slanley
Heap the Coals, 2019
By Jackie Slanley
Heap the Coals, 2019
By Jackie Slanley
Kiln-glass, 2019
By Jackie Slanley
Kiln-glass, 2019
By Jackie Slanley
Kiln-glass, 2019
By Jackie Slanley
Kiln-glass, 2019
By Jackie Slanley
Artist Statement
I believe myths connect human experience. A myth is a story, an ideal, a social phenomenon involving supernatural beings, intoxicating enough to build a society. I aim for my objects to tell new stories. Through sculpture and installation, I propose questions such as how do we define strange or otherness? What makes an object enigmatic? What is the value of fiction? With a dedication to materiality, I am searching for tactility and transformation. The result are speculative objects that speaks to ritual, fetish, and power.